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Nansi Richards Jones (1888 - 1979) of Penybontfawr, Oswestry, was known as the Queen of the Harp . An expert on both the triple and pedal harps, she always maintained that the greatest influences how to clean microfiber couch on her life were her father, the Gypsies who stayed how to clean microfiber couch on their farm, and Tom Lloyd, Telynor Ceiriog, who taught her to play the harp. She won the eisteddfod harp competition three times in succession, and played several times for the royal family. She was appointed official harpist to Charles, how to clean microfiber couch Prince of Wales; after her death at the age of 91, the appointment was unfilled until 2000. Read more about Nansi Richards on Last.fm . Four comments “Telynores Maldwyn, Brenhines Y Delyn / Queen of the Welsh Harp: Nansi Richards”
SCD how to clean microfiber couch 2382 ~ SAIN, 2003 "Launched at ‘the’ National Eisteddfod and at last transferred to CD, over 40 tracks recorded between 1947 and 1972 of triple harp melodies played by the most outstanding influence in traditional Welsh harp-playing of the 20thcentury." Nansi was Romany by birth and represented that minority tradition in Cymru / Wales as well… # Posted by ceolachan 6 years ago . “Nansi Richards - Telynores Maldwyn”
That may have been a slip, as I can’t confirm that she was Romany, however, they were a strong influence on her music ~ here is an extract from the earlier how to clean microfiber couch SAIN recording: "Nansi Richards how to clean microfiber couch spent her last years ~ when she was not travelling around! ~ in the Montgomeryshire farmhouse where she was born in 1888. With the exception of electricity and piped water, the house and furnishings how to clean microfiber couch remained virtually unchanged since the day it became the family home over 300 years ago. In her childhood and youth, the farmhouse was a regular venue for itinerant Romany harpists, fiddlers and dancers of the famous Wood tribe and the surrounding countryside supplied poets, penillion-singers and ballad mongers. In this atmosphere of homespun music-making and folk culture, Nansi Richards grew, learnt her craft, and became steeped in the traditions of her nation. ~ There was always an open door and a glowing hearth at Pen-y-Bont ~ " I had an old recording of her that included people speaking the Romany tongue, and I’m sure one of them was a brother, but I do not have that recording on hand to confirm that. There was also a book produced on her life, but I sadly don’t have that on hand to refer to ~ http://www.gwales.com/goto/biblio/en/9780860741282/ "Nansi Richards - Telynores Maldwyn" ISBN: 9780860741282 (0860741281) Publication Date May 1996 Publisher: Gwasg Gwynedd Edited by Nia Gwyn Evans Format: Paperback, 96 pages "A volume recording how to clean microfiber couch the story of the life and career of one of Wales’s most renowned harpists through the medium of letters, how to clean microfiber couch photographs and documents. Black-and-white photographs." # Posted by ceolachan 6 years ago . Nansi and the roma
nansi how to clean microfiber couch knew and loved them well but its a gross overstatement to say they were a strong influence on her music. tom lloyd was nansi’s teacher and her music belongs firmly in the welsh triple harp tradition. the roma played a more general british repertoir - polkas, how to clean microfiber couch hornpipes, how to clean microfiber couch reels and so on, and nansi could certainly play with them. but hers was a far richer vein the older recording you refer to is probably peter kennedy’s recording how to clean microfiber couch and so the speakers on that were hywel and manfri wood, brothers, but not to nansi. eldra jarman was the last inheritor of the wood/roberts harp tradition. she gave up playing the harp many years before she died although she would get it out if persuaded. she played for me once. she had a very light touch and played girl with the blue dress on, over the cliff and so on # Posted by cerimatho 6 years ago . “gross overstatement” ~ hmmmm… :-/
Speaking of "gross overstatement" ~ ‘Influence’, as most of us in the passion know, who aren’t blinded by that passion, is more than the mere selection of melodies. I know, understand, but have little patience for the over puritanical purist approach to tradition. For one ~ the ‘triple harp’ is itself an introduction, and not exactly ‘Celtic’ in the purist sense. Any reasonable understanding of
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